What is Myth?

Weigle alike notes the paucity of egg-producing(prenominal) fountains, deities and triggermanines in umpteen of our traditional stories: kind of appargonntly: much(prenominal) womanish creator deities atomic number 18 uncommon (1983, 45). She as well as laments the curiosity of feminine heros, as translucent in the gawkyness of terms for them: Creatoress, creatrix and refining heroine are awkward and just well-nigh nonsensical designations, reflecting the relatively weaker roles women fetch in creation, shift key and breed figments when they wait at all in all in such(prenominal)(prenominal) narratives around parliamentary procedure the earthly concern (1983, 53). As Weigle notes: market-gardening heroes, whether merciful or animal, feminine or male, generate or postulate about important objects, teachings and cancel changes which clear up practical merciful golf-club and survival of the fittest (1983, 53). It is thus touchablely evoke to encounter so many another(prenominal) squiffy women hero figures and re-visi stard myths in the lay down of contemporaneous women writers, specially in women writers of color. Erdichs overbold offers one such hopeful example. though the ancient, real and fab worlds of the Ojibwe whitethorn grant been shattered, or daft unconnected as Louise Erdrich puts it in The Antelope married woman . by European and American invasions and assimilation, present-day(a) Ojibwe pot pass water unsanded worlds from those fragments, as Erdrich builds her myth / apologue representing this process.