Jazz concert

As much as I enjoyed attending a clear medicine concert in November, I exhaustively enjoyed myself at the Jazz concert I attended on Monday night. though two vastly assorted types of music, the theory almost remains the aforementioned(prenominal) variations on a theme. Since Jazz music is a little to a greater extent my speed, I have to be honest when I say that I was looking forward to this assignment slightly much than the stainless concert. I found a Jazz club called Zinc Bar on Houston in New York City that seemed to have reasonable prices and a wide of the mark selection of raises and participants playing at ifferent successions. We decided to attend the nine p. . show not knowing exactly who would be playing. Already this is a ample difference between the classical and Jazz concerts. Arriving early, we decided to eat both(prenominal) dinner at a restaurant called Arturos right down the jelltlement from the club. As soon as we walked in, our first sight was a set of musicians and a singer playing live free Jazz music for the restaurant patrons. The band included an upright bass, a piano, and auxiliary percussion section instruments and a male singer. They stuck to Jazz archetypes for the most part still eing that we were at an Italian restaurant we got a generous helping of Frank Sinatra.The musicians unfeignedly set the tone for the entire establishment. E precisewhere you looked, even though time with the music. Needless to say when we left the restaurant, we couldnt help scarce receive brush away by the entire New York Jazz experience. The ambiance go along inside of the Zinc Bar. The club itself was a small, very intimate setting, with a banquette and small tables on one wall and a long leave off on the other. The band was positioned at the end of the bar facing start towards the entrance. The lighting was inimal save for a few candles and colored lights.There was a two drink minimum at the tables whereas the classical concert reserved the boozing to coffee at intermission. The push is sparse in the beginning but grows to a full bar towards the end, which we find out is a return of the main head-liner playing at 1 1 p. m. Ron Afflf. But we had very little regrets seeing this first band, the Alexis lolly Trio. The trio consisted of a singer, Alexis Cole, Ben Stivers on the keyboards, Bill Pace on the upright bass, Ryan Scott on guitar, and Greg Ritchie on drums.The lead singer would ntroduce all of the melodic phrases before they were contend unlike the classical concert where listeners relied on their programs to inform them of the upcoming characters. The first song they played was by Bob Marley and one of my favorite tunes, Redemption Song. The song was faster than Bob Marleys version and in the middle, Ms. Cole transformed her fathom into many different instruments as she scatted her way to the final chorus. In this song, and in every song where the band was involved, each instrument had their o wn rule to scat and improvise on their respective instruments.After each musician spotless their solo, the audience was encouraged to clap which is in stark movements. The second piece was an schoolmaster composition by the keyboard thespian, Ben Stivers, called East of the Sun and again have all members of the band. I found my feet very tapping to this tune and I really enjoyed the piano solo. It had Just the right rhythm and puff up-balanced solos that I never felt bored. The third and fourth songs were by Thelonius Monk and unfortunately Ms. Cole never mentioned the names. Ms. Cole almost took a back seat in these songs and really let usicians go to town.The solos were intricate and involved seemingly removing the musician from the room and into his heart and mind. The listener couldnt help but be entirely transfixed. I also felt that in this section the bass player really took the most risk rhythm wise and possibly competency have made a mis give birth. I say possibly s imply because if he did make a mistake, he recovered so well its possible we were Just imagining things. The fifth song was by Billy Strahorn called My wee Brown Book which Ms. Cole introduced as a song or so regret. This tune was only or the singer and the keyboards and was extremely intimate.One really got the sense experience that Ms. Cole was trying to give you something. The sixth song was another archetype and by far the most experimental. It started slow and soft and grew into a unnumerable of sounds with the guitar player playing with certain pedals on the floor. The more they played and the more she couldnt help but tonicity like I was caught in a windstorm. It culminated into what sounded like a disorganized Jumble of chords and solo material but somehow ended up right back at the original melody and rhythm. It was impressive to say the least.For their last song they decided to take a request from the audience and after much heckling from the crowd it was decided tha t they would end with My Funny Valentine which the keyboard player had arranged in G minor and in 3. It was an interesting take on an old standard and done in a beautiful smoky tone. It was really a nice end toa perfect New York Jazz experience. As different as classical and Jazz are, I couldnt help but feel that Jazz had at least drawn on the basics of classical music. Start with a melody, make it your own, and then tell your story. I feel that music will forever enrich my story.