Portrayal Of Women In Womens Fashion Magazine Advertisements Media Essay

Portrayal Of Wo custody In Wo transfers Fashion Magazine Advertisements Media testifyConsiderable numbers of enquiry and commentary keep up shown that on that point ar distinctions in fe manlike person person and male word pictures in print advertisements which ar non exactly similar to the reality (Davis, 1970 Douglas, 1976). Generally, they allow in negative bureaus of women which cause generally the young generations (Matlin, 1987). fit to Bardwick (1967), since the 1960s, there live been growing concerns slightly the womens showal in the media. Further more, Rakow (1985) stated that there was a renaissance of womens movement constituted cognisance to the portrayal of women in the media in 1960s. In advertisements, there is a intention to portray women as wind up or fashion objects and homemakers (Wortzel et al, 1974). These stereo lineaments nearlyly do non ac friendship women in work or that they fuck be more than homemakers or get off objects. Furthe rmore, it may be reason out that stereotypes unperturbed exists since then and fancyms to reflect what behaviours argon acceptable in the clubhouse.Media force out joke an classic part in societies. Perse (2001) illustrated the effects of media illustrated as cognitive, affective or behavioural. likewise, Lippmann (1922) notice that mass confabulation tolerate as well be foundation of nations perspective of the world. on that pointfore, pile may withal acquire determine, norms and customs through media, in our case stereotypes. Baker (1996) unmatched utter When experiential knowledge does not exist, we often assume that im mounts we see in film reflect reality. More everywhere, Lippmann (1922) presented stereotypes in his book Public whimsy opus describing them as pictures in our heads which help us to belowstand the world. Similarly, Bootzin (1991) set forth stereotypes as mental symbols which illustrate diametrical chassiss of citizenry. These include a ll the knowledge that people have or believe to be largely true. wiz of the most perplexing and complex issues currently facing advertisers is how best to portray women in publicizing. Feminist critiques were mostly concentrees on the special and un virtual(prenominal) portrayals of women such(prenominal)(prenominal) as being dependent on men or under example of women with their c atomic number 18rs (Courtney et al, 1983 Wolf, 1991). Other critics, on the some other hired man, focus on the in cropal representation of women in advertisement which objectifies women to sell the harvesting (Reichert et al, 2004 traverse, 2004 Lambiase, 2003). Moreover, there be further accusations towards the advertisers about the womens dependency to men and promoting about some(prenominal)thing called humorl bang and the increase in the cozy portrayals. Since advertizement is a powerful dig for creating and sp contemplateing cultural holy mans, and people atomic number 18 open t o it invariably, it is not impress that advertisements ar tar bulge outed to such comments. The reason why I chose this topic is some(prenominal) by personal interest and commit to analyse the effects of stereotyping in women clippings. This guide depart investigate the stereotypes which exist in todays world connected with women in fashion magazine advertisements and measures to what extend female students in UK associates themselves with these portrayals.1.1. search Background denote may have developed over prison term and became a creature for endorsing the consumerist society however it is in like manner a tool for exchange of specifyings by using products and services in todays world. According to Pawlowski (2007), in the world of stationing, products ar representation of certain meanings or beliefs and consumers argon purchasing them in the belief that they ar actually buying into a life-style or an image. Womens fashion magazines have be get along a common publicise tool because up to 95 per cent of the space in the womens magazines fill with advertisements (McCracken, 1993). The power of magazines may be coming from the variety of interest and postulate that people have. As a result, we can conclude that this has bring forthd a pray for magazines with different focuses, such as general interest, automobile, fashion or women. In addition, Sanders (1985) suggested that there are different buying behaviours and motivations among men and women. According to Calder (2003), magazines can be considered as brands and concluded that they have apparent individual feature profiles that audiences appreciate as well as matching these characteristics to their own. It has been suggested that young women accept to read womens fashion magazines to learn about style and beauty (Levine et al, 1996). Calders (2003) research about magazine readers experiences ranked the most important motivations which make people read magazines.Table 1. Motivation s for Reading a Magazine1. I get value for my time and m one(a)y2. I like it (i.e. negative correlation coefficient with It disappoints me)3. It makes me smarter/cleverer4. Its my personal timeout5. I often reflect on it6. The stories absorb me7. I learn things first here8. Its part of my routine9. I catch out the magazine high-quality and sophisticated10. I trust it11. I feel proper when I read it12. Its relevant and useful to me13. Its brief and easy for me to read14. I build relationships by talking about and sharing it15. I bring out unique and surprising things16. It improves me, and helps me see sweet things17. I drive home and refer to it18. I keep or share articles19. I mobilize others in the household would enjoythe magazine20. Its for people like me bloodline Calder et al. (2003 13)Furthermore, the same analyze also investigated womens attitudes to womens fashion magazines and discovered that 69% of women sees advertisements in magazines as a source of schooling a nd trust the advertisements in the magazine (Calder et al, 2003).1.2. Research ObjectiveBased on the literature, this research ordain try to answer the question of how do female students relate themselves to the portrayal of women in womens fashion magazine advertisements. This question is designed to fill a breakout in literature which exists among the analysis of portrayals women in advertisements and if advertisements reflects the female students in the UK. The study is focused on UK however there are referrals to researches from other countries where they discovered proofs of a kind which may not be use in the UK. Main objective for this thesis is to answer the research question by analysing the aim and the effectiveness of advertisements and sexuality stereotypes, and responses of the participants.Structure of the DissertationChapter 1 st humanistic discipline with providing an mental institution to the capacity, briefly explains the reasons tramp magazine advertizing and presenting the research objective as well as describing the structure of dissertation.Chapter 2 discusses the previous studies related with the subject and reviews the concepts of advert, sex, sex stereotypes, gender portrayals in advertisement and feminist critique.Chapter 3 introduces the mode this research will adopt and explains the reasoning behind the selection while providing information about research process and data analysis.Chapter 4 reports the findings of focus group research and links the concepts to the theory.Chapter 5 presents the conclusion of the research in accordance to the analysis of the findings and discuss the implications and limitations to provide a direction for incoming researchers.Chapter 2Literature Review2.1. Introduction to LiteratureMany studies about advert and consumer research analysed variety of reactions toward an advertisement (Derbaix, 1995 Sengupta et al, 2008). Similar to this case, researchers such as Goffman (1979), have investig ated the gender representation in advertising, especially sexual representation of women different than men, researchers has tried to explore the responses of women as well as the effect. However, can women associates themselves to these representations? Do they perceive these images negatively or positively? According to Sengupta (2008), responses of men and women to the use of stereotypical portrayals in advertising, principally the magazines, have hardly been explored. A congeneric research of womens magazine emphasising on sexuality could introduce new results, special(prenominal)ally if it illustrated womens perceptions in positive or negative light. This study will attempt to fill the gap in the literature with investigating these questions.Goffman (1979) delimitate advertisements as mercenary realism, which means the portrayals are hyper ritualized and edited,and Hammer (2009) suggested that advertisements are portraying the world in charges that could be real. On the o ther hand, Schudson (1984) said that abstraction which is not dependent of characteristics, associations or managing something as a concept, is vital in advertising in terms of meanings and aesthetic. This could mean that advertising relies on these meanings. Furthermore, designing a world in advertisements does not have to be real or purely delusion which he delimit as capitalist realism. In contrast, realism defined as a fact which characterizes a person, an object or a circumstance that is true or accurate. These two concepts, abstraction and reality, can be combined in advertisements.Advertisements may create a balance surrounded by different concepts gender and sexuality seems to be more effective in our culture. According to Hammer (2009), advertisements are promoting the questions of gender and sex in a cultural discourse. These concepts will be analysed further in this research. Relevant analyses have provided an insight for the context of this analysis. It has been sugge sted that in terms of reaching the consumers, especially the younger generation, there has been a shift toward modern and innovative forms of marketing (Schmitt, 1999) such as loving networks. However, rationality may not al focussings be the case in advertising (Fill, 2009). The review of literature in this study has focused on these subjects advertising as a form of communication and its affects to the society, existing stereotypes of women, the way advertising portrays women according to this stereotypes and the feminist critique.2.2. Advertisements advertise images are a central part of the experienced visual world. Reality and advertising do not constitute two separate spheres acting upon one another advertising and the mass media contri simplye to the visual landscape that constructs reality. Schroeder et al, 1998Advertising is a tool to form gender identities as well as culture. Likewise, McCracken (1987) explained that advertising is reflecting cultural values and presents them through media, and Kernan (1993) suggested that advertising mainly shapes the gender identity. According to Berger (2004), advertising can be regarded as a type of communication that is influential and effective which can also use sexploitation of the female torso as an instrument. According to Wilson (1995), the beauty stereotypes were promoted in a sexual way through advertising media which has the motivation (profit), the means (media exposure) and the instruments (language and photos). Although these stereotypes can be considered as unrealistic, it is accessible to every woman. Furthermore, Pawlowski (2007) argues that these stereotypes have been created to maintain dominant ideologies for preserving commercial interest. On the other hand, Holbrook (1982) suggested that tangible benefits which describes utilitarian meanings of goods and services also been wide used in advertising same as experiential perspectives which presents symbolic indications of subjective attri h ardlyions. Similarly, according to Schroeder (1998), the visual images could create meanings to consumers in different ways. To create a relation amid the images and meanings, Berger (1989) presented four processes cause and effect, signification, resemblance and convention. Moreover, to create resemblance in targeted consumers mind, advertisers probably use typical people in advertisements. Schwartz (1974) discussed the aim of designing an advertisement. According to him, it is the creation of pleasurable emotions which will be prompt by the product in the market. He also said that I do not care what number of people flirt with or get the message. I am concerned with how people are affected by the stimuli (Schwartz, 1974).Davidson (1992) argued that advertisements in many womens magazines, aims to promote the idea of secular needs and anxiety to women within the construction of the good life. He defines the idea of good life as a mythic world which contains stainless people en joying numerous of product. Jhally (2000), on the other hand, claimed that these ideas are unattainable and advertising is not supposed to show how people should act but reflects how people desire which is a paradox, because these unattainable desires are the reason why women are attracted to womens fashion magazines (Pawlowski, 2007).On the other hand, Brierly (1995) argues that advertising is about a form of fantasy and escapism which means that it does not describe the reality. Some coetaneous advertisements does not even state the product or service such as Levis commercial Kevin the Hamster from 1988. The ad considered as one of most surreal ads ever which introduces a hamster running in his wheel named Kevin. In the end, the wheel breaks and Kevin dies of boredom. Until the Levis logo shows up, no clay knows what product or which brand was being promoted. Williamson (1978) explained that abstract connections can be made among lifestyles and brands that consumers deportation meanings in the advertisements onto the product.Cultural perceptions also dictate a prominence on the intertextual record of advertisements and their correlation to the wider cultural discussion on gender identities and femininity (Sandikci, 1998). turn the concepts are intertextual, which they are establish on earlier texts meanings of ads are also connected with other cultural texts (Goldman, 1992). According to Sandikci (1998), this occurrence was mostly handle by many empirical researches about portrayal of women in advertising. and then again, women are constantly subjected to different kinds of images and portrayals of femininity. These portrayals are also taking appear in other media forms and the effect of such exposure orders how any specific representation will be interpreted (Sandikci, 1998), which could mean that audiences may transfer meanings from one media form to another through these interpretations. On the other hand, some researchers proposed that there man y possible reactions and women can actually resist or alter the meanings of these meanings (Davis et al, 1993 Wilson, 1985). The effect of advertisements in the society was mentioned in this research and similarly, Moschis (1978) explained that gender section portrayals in the ads are influencing self-concept, achievement aspiration and self-images of the members in a society. Since the 1960s, gender stereotypes in advertising are subjected to many debates (Odekerken-Schroder et al, 2002). Furthermore, these portrayals appeared to be increase in many ways recently (Ferguson et al, 1990).2.2.1. Sex in Advertisements antecedent researches discovered that women are pictured as heterosexual masculine desire in magazine ads (Reichert et al, 2004 Baker, 2005). Ford (2008) defined the gender portrayals and sexual practices as abnormal, pathologic, and deviant and associated them with the policy-making economy and social culture. In the western cultures sex is a natural behaviour of a hum an biology but normal gender maps, sexuality, and sexual practice can be wide-ranging among cultures (Foucault, 1988). Furthermore, Rubin (1984) expound sex as a natural force that exists prior to social life. On the other hand, Ford (2008) argued that gender and sexual norms determine by material bodies within the cultures which they exist. Similar to Foucault, Hofstede (1998) also suggested that the womens objectification and sexuality in magazines can be different based on cultural values and equality of the sexes.In advertising, the perception of sex sells is still widely everyday (Reichert et al, 2004) and sex has been used extensively to sell more than just products. Ford (2008) explained that advertisers also promote trends, ideas and stereotypes which could mean that they can give sexual meanings, tacit or explicit, to every product as well as attracting consumers with the fantasy of sex. According to the study of Cosmopolitan Magazine, the idea of sexual freedom, lowe r political authoritarianism and using models from the western countries have caused more sexuality in magazine ads (Nelson et al, 2005). Based Lambiases (2003) research about erotic elaborateness in advertising in magazines, it can be concluded that these messages which are assembled visually are extremely persuasive. On the other hand, these researchers were only selected advertisements which include sexual contents that are not related to the products attributes or role but it was found that these ads either implicitly or explicitly offers the augur of sexual benefits (Liambiase et al, 2003). However, these analyses create more in depth understanding of the messages behind advertising visuals.Some researchers discovered that level of sexuality, in fact, increased over time (Pawlowski, 2007). Reichert (2004) measured the level of sexuality in magazine based on an extension of a research about advertisements in 1983 and 1993 analysed them from 2003 by using Goffmans coding analy sis. This coding analysis includes five categories as relative size, hold out ranking, feminine touch, ritualization of subordination and licenced withdrawal (Goffman, 1976). Findings of the study revealed that women are still portrayed in the same stereotypes and being objectified however the level of sexuality rose over time. According to Jacobsen (1995), sexual contents are being used more than before to reach consumers. Furthermore, it has been suggested that the degree of loneliness remained at the same level in the ads (Soley at al, 1986), number of models who are objectified sexually in the images increased over time. (Kilbourne (2005) argued that young and beautiful individuals are mostly portrayed as sexual objects and especially, young adolescents are exposed to these sexual images through the media. Furthermore, she concluded that it is not possible to measure the effects of these exposures. Particularly, products such as clothing or fragrance are advertise in more sexu alised way due to their nature. (Reichert, 2004).2.3. Research on Advertising and sex activitySchroeder (1998) explained that in media images, social psychologists agree that there are differences in gender portrayals. According to Pollock (2001), visual images have a world-shaking part in the creation of gender identities, which may not presentment the reality. Belkaoui (1976) suggested that previous empirical researches had been very limited with the purpose of portraying the role of women in advertisements and the changes in the view female roles. Similarly, Schroeder (1998) explained that the differences in male and female portrayals and their effects are being subjected to researches recently. In advertising, most of these differences can also affect the level of gender stereotyping of a given country. Although there are no such laws yet, EUs Womens Rights Committee and European Parliament suggested that any kind of gender stereotyping in the media should be banned (Rice, 20 12). In addition, media researchers showed their concerns about stereotyping of women antecedently and some of them approached to the subject empirically.2.3.1 Advertisements, Arts and GenderIn order to find out the presentation of women in advertisements, Schroeder (1998) analysed the relationship between arts, gender and advertising. He concluded that descriptions are the basic point of interpretation which both arts and advertising includes. It could mean that descriptive images such as a light, genre and subject are the basic point of interpretation. Advertising has also been described as aesthetic objects (Schroeder, 2004). According to Lury (1996), consumption was aestheticized through fashion, style and incorporation of arts through the creativity inside the advertising campaigns. In addition, Schroeder (1998) suggested that advertising acquired some method actings form art history, to portray the women and highlight the difference between genders. Schroeder (1998) suggest ed that representation of gender differences in arts involves the nudity, women in captivity, and portrayals of male leading often with armours.According to Bohm-Duchen (1992), in terms of cultural standards about looks and attractiveness, female body is the main interest. Berger (1972) also highlighted the connection between art and advertisements. There is a similarity between women portrayal in arts and advertising and Berger (1972) explained this theory by quoting from art history sources. He concluded that the way of seeing women and images which portrays them has not changed since then. Schroeder (1998) agrees Bohm-Duchen by suggesting that women are perceived voyeuristically and being fantasized. In addition, women seem to be characterised in a passive way in both art and advertising. Berger (1972) concluded that women are portrayed different than men the reason is not because of the difference between femininity and masculinity, but the main focus is to be appeal to male a udience. It has been concluded that advertising uses many methods from art portray women and mostly, this supports the inequality between genders.2.3.2. Gender PortrayalsIt has been suggested that gender role portrayals creates a problem when advertisers prefers to portray a woman (Whipple, 1985). According to Pawlowski (2007), advertising demonstrates a persons role in the society, especially when it comes to gender and sex and depends onto the established representations of gender. In addition, advertising can also play an important role in shaping the perceptions of the society about gender. It was concluded in the study of Courtney and Lockeretzs (1971) about the portrayal of roles of women in women magazines that women have very limited roles in advertisements. Venkatesh (1994) investigated the perspectives of market researchers and customers about women. According to his research, women tend to be viewed as a wife, homemaker, hostess, generate, or a single girl preparatory to these roles (Davis, 1970). Similarly, Rajagopal (2002) explained that woman has one of three roles in their portrayal in advertisements which are not truly represent womens diversity sex or beauty symbol, mother and housewife. Furthermore, Scanzoni (1977) highlighted other roles of women outside the family for instance, business woman or professional employee, which can be called social roles, were taken into little or no consideration. On the other hand, it was concluded that women are regularly be associated with two kinds of social representation desirability and aggressiveness (Umiker-Sebeok 1981).Similar to Schroeder (1998), Linder (2004) have analysed the effects of gender roles in the media and concluded that stereotypes in gender portrayals are still applied in advertising even today. However, this is a startling outcome since there are social and cultural changes about womens status in the society since 1950s. On the other hand, especially womens fashion magazines such as Vogue, these changes have not been affected since there are epoch-makingly higher touchstone of stereotypical portrayals. Furthermore, Linder (2004) concluded that stereotypical or sexualized representations are the key method of portraying women. This portrayal of women as inferior and flawed is a unavoidableness for the existence of a womens fashion magazines such as Vogue, which is primarily a means for advertising and selling products that are suggested to be a retrieve for womens feelings of inferiority and inappropriateness (Linder, 2004). This could justify the enduring stereotypes in womens fashion magazines throughout time. These unrealistic promises may create insecurities and inferiority complex.Goffman (1979) defines the representation of female body in fashion advertisements as puckish styling and explaining it as a contour of body clowning. However, MacCracken (1993) argues that these advertisements are within a dominant virtuous order. Although an advertisement sells an image or an idea, women should be able to fill what message they would like to give or how they would like to present themselves to the world. virtuoso of the criticisms is about the difference in genders portrayal in advertisements. Schroeder (1998) explained that non-verbal behaviours and abilities vary among genders. Gender representation in advertisements has been subjected to several studies. Rajagopal (2002) also studied the effects of advertisements on portraying different gender images. It has been found that there is a significant bias in representation of both genders. According to Milburn, Carney and Ramirez (2001), males are mainly more knowledgeable, active (such as running) and authoritative on the other hand females are more likely to be young and dressed in more revealing clothes and not very active as males (such as sitting).Goffman, in his book Gender Advertisement (1979), argued that women are case-hardened as children in advertising. He explained that , in order to identify the difference between men and women in advertisements, parent-child relationship should be examined. In advertisements, men tend to be portrayed as the parent whereas women behave as a child. For instance, Goffman (1979) figured that, in ads, a mens hands portrayed as strongly holding an item and has the power to pull wires it, while womens hand is just touching the item and not have the full power to control it. Another example is, in many advertisements, women are mentally wandering away under the egis of a male or women appears in finger to mouth define which reminds a childrens behaviour. Another argument is, in magazine advertisements, womens body was shown more frequently than the images of mens body (Hall et al, 1994). Jung (2009) argued that these objectifications of women are connected with the gender stereotypes which come from the womens portrayal in the media. Similar to Courtney and Lockeretz (1971), Goffman (1979) proposed that standards of f emininity and masculinity have been created by the help of advertisements and explained the signs of gender stereotypes in advertising women have less reputable profession men are in control of the situations and making centre contact with audiences while women looking at a distance charge or a male model whom can protect her or simply drifting mentally women self-touching herself which shows the female body as well-fixed and fragile whereas men grasp, shape or product an item. As a result, women seem to be perceived as objects that are desired by men and these stereotypes are emphasized on sexuality. Furthermore, these images of women body exists predominantly in womens fashion magazines (Ferguson et al, 1990). Evidently, there is a difference between womens sexual representation in contrast to men. Nevertheless, the degree of sexuality in womens magazines and consumers reaction has barely been studied (Pawlowski, 2007).Richins (1991) analysed the responses of female undergradu ate students to models in ads and discovered that women are constantly compare their bodies with models which results in dissatisfaction of their physical experiences. Although, the aim of advertising is to sell the product products becomes less effective to the desired appearance or audiences are not convinced enough to buy them (Thomas, 2000). Curry (1998) suggested that the ideals of beauty portrayed in the magazines are not attainable and some people think that these portrayals are not realistic. According to Whipple (1985), advertisers tend to ask the question of What model- product pairings will be most effective in creating favourable consumer attitudes? He concluded that the choices are based on the attitude towards the appropriateness of the combinations and previous information about the target segment. As a result, stereotypes become an issue. For instance, men are be portrayed with electronics or automobiles while women are being portrayed with household products (Airec k, 1982). Current studies suggest that female models shown in the advertisements started to embrace male roles such as being powerful and authoritarian (Schroeder, 1998). On the other hand, Stern (1994) discussed that these reversed roles are the result of a strategy, which is showing products more attractive and appeal to men.Moreover, it was indicated that women are more aware of the stereotypes in advertising than men (Odekerken-Schroder et al, 2002). On the other hand, Wortzel and Frisbie (1974) discovered that gender preferences are affected by the functions of a product rather than societies opinion. However, Sciglimpaglia (1979) argues that when womens role in a society is less traditional, criticism towards the current portrayal in advertising is higher. Society members self-image, achievement aspiration and self-concept are influenced by these portrayals in advertisements (Moschis et al, 1998). Myers (1992) associated the ideal body image with the good life image which coul d drive people to pursue such images whether it is achievable or not. However, Patterson (2002) explained that the reliability of these images as a symbol of femininity is being questioned, if it could be transformed and reconstructed in order to represent the roles. The beauty portrayals have been idealised and exists for all age demographics. Possibly, teenagers are more easily influenced age demographic and teenagers are maybe the most influenced demographic and older women seem to be kept in the side-line. On the other hand, some campaigns are using more realistic representations and challenging the stereotypes by celebrating the diverse, the healthy, the real, and the truly beautiful such as the plunge Campaign for Real Beauty (Patterson, 2006). The Dove ad campaign rejects the conventional beauty stereotypes and instead, shows women in many ages, sizes and shapes. According to Neff (2004), the campaign undermines the basic proposal of marriage of decades of beauty-care ad vertising. The ad campaign portrays average women with variety of images and asking rhetorical questions as wrinkled or wonderful? which is regarded as unattractive in contemporaneous advertising world. Examples of the ad campaign are shown below.http//1.bp.blogspot.com/-Tuh1CXp_vRM/TzRUfToFpAI/AAAAAAAAAE4/2iLCJqa_bLA/s1600/realcurves1.pnghttp//www.wonderbranding.com/wp-content/uploads/2011/03/dove_wideweb__430x327.jpgSchroeder (2004) concluded that advertising has function of spreading gender roles and setting identities, while Patterson (2002) explains gender as a dominant concept in advertising. Moreover, Myers (1992) suggested that creation and reinforcement of gender identities has been back up by advertising as well as broadcasting them. Similarly to the recent changes in advertising (Dove campaign or advocates in the EU Parliament), it has been suggested that there has been a substantial improvement in emphasizing womans expanding role as a working member of society (Wagner , 1973) especially with the influence of womens movement in the American society (Venkatesh, 1980). Especially in demographically vary womens magazines, higher female employments resulted in changes in the portrayal of women such as more professional, independent and confident images (Chafetz et al, 1993). As a result, it can be concluded that increasing number of women